Keith Jarrett’s The Köln Concert. Oxford University Press (January 2013).

(edited with Bjorn Heile and Jenny Doctor) Watching Jazz: Encountering Jazz Performance on Screen (2016)

Articles and Chapters

‘The Potential of the Jazz Record’, in Darmstädter Beiträge zur Jazzforschung, ed. Wolfram Knauer. (Wolke Verlagsgesellschaft, 2014), pp. 109-118.

‘Framing Jazz’, in Watching Jazz: Encountering Jazz on Screen, eds. Jenny Doctor, Peter Elsdon, and Bjorn Heile. (Oxford University Press, 2016).

‘Viewing Empathy in Jazz Performance’, in Music and Empathy, eds. Elaine King and Caroline Waddington. (Ashgate Press,forthcoming).

‘Embodied Listening and the Music of Sigur Rós’, Popular Musicology Online,
issue 2.

Re-imagining Improvisation: Listening, Discourse and Aesthetics‘. Online publication, 2013. See post here.

‘Style and the Improvised in Keith Jarrett’s solo concerts’, Jazz Perspectives, Volume 2, No. 1, May 2008, pp. 51-67.

‘Jazz Recordings and the Capturing of Performance’ in Recorded Music: Society, Technology and Performance, ed. Amanda Bayley (Cambridge University Press, 2010), pp. 146-166.

‘Listening in the gaze: the body in Keith Jarrett’s solo piano improvisations’ in Music and Gesture, eds. Elaine King + Anthony Gritten (Ashgate, 2006), pp. 192-207.

‘Ballads, Blues, and Boogie-Woogie: Keith Jarrett’s 1973 Solo Concerts recording’, in Proceedings of the 3rd Annual Leeds Jazz Educators’ Conference, Leeds, April 1998.

‘Crossing Over? The Charles Lloyd Group and the problem of stylistic identity’, in Jazz Research Proceedings Yearbook, 2000, International Association of Jazz Educators.

Appendices (chronology and personalia) for The Cambridge History of Twentieth Century Music, eds. Nichoas Cook and Anthony Pople, Cambridge University Press, 2004.


Review of Oh Boy! Masculinities and Popular Music, F. Jarman Ivens ed. (London: Routledge 2007), Journal of Gender Studies, 18/1 (2009), pp. 92-3.

Review of Jazz On The Road, C. Wilkinson (Berkeley: University of California Press, 2001), Music and Letters, 84/1 (2003), pp. 143-5

Review article on The Cambridge Companion to Jazz, eds., M. Cooke and D. Horn (Cambridge: Cambridge University Press, 2002), Frankfurter Zeitschrift für Musikwissenschaft (online publication at

Selected Papers and presentations

‘Improvisation: Problems, Anxieties, and an Alternative’. Perspectives on Musical Improvisation Conference, University of Oxford, September 2012.

“Musicology, Recordings, and Keith Jarrett’s The Koln Concert”, research seminar at Birmingham Conservatoire, October 2011.

“Framing Jazz”, Music Analysis Conference, University of Lancaster, July 2011.

“Fairy tales and near death experiences: the music of Sigur Ros”, research seminar at the University of Sheffield, November 2008.

“Constructing Improvisation: Keith Jarrett’s ‘Prism’”, Cardiff International Music Analysis Conference, September 2008.

‘The sound of a rock record?’, CHARM/RMA Annual Conference, Royal Holloway, University of London, September 2007.

‘Embodied Listening and the Music of Sigur Ros’, invited research seminar at University of Cork, January 2007.

‘Air Guitar and the Music of Sigur Ros’. 2nd International Conference on Music and Gesture, Royal Northern College of Music, July 2006.

‘Gesture and the Improvised in the Music of Keith Jarrett’. Research seminar, Institute of Musical Research, University of London, June 2006.

‘Jazz recording and the “capturing” of performance’, invited research seminar at School of Music, University of East Anglia, December 2004.


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )


Connecting to %s